Wall Art

We were enlisted to design the interiors for a young professional couple and their family living in this traditional semi-detached period property in Highbury Crescent.

The beautiful Victorian villa, with its grand proportions and large windows, overlooks North London’s Highbury Fields.

If you can’t visit Patrick Heide at an art fair or in his space on London’s Church Street, then the best place to talk about his gallery is standing outside of a small corner coffee shop, sipping a hot drink. The gallery works extensively and intensely to promote its artists with exhibitions and art fairs all over Europe, so you can see that Patrick is used to talking about the artist’s and their medium, no matter the setting. Though he is measured and rational, it is obvious that he has true passion for his work. He cares deeply about the conversations these artworks, and specifically this medium, can instigate and consistently looks forward to inviting those exchanges.

Trying to describe Flavio Gianassi in one paragraph is impossible, especially for someone like me who has worked closely with him for almost fourteen years. I have written draft after draft of this introduction and none of them capture his dynamic personality or his curious nature. So, here is my attempt: Flavio is sure to see every museum or gallery exhibition, every auction house preview, and every art fair because he is dedicated to absorbing as much visual detail as possible. He is tireless in his pursuit of engaging with every detail so that he can recall it from his sweeping memory. And whenever someone asks me, as many have over the years, ‘where does he get his energy from?’, my answer is simple: ‘he is committed to finding beauty in all that he sees and does’.

If you ever have the pleasure of visiting Adrian Sassoon’s stand at an art fair, you will be transported into a celebration of artists and their treatment of materials. Whenever I have seen his displays, I notice that Adrian constantly handles his artist’s pieces. It’s not that he is overly tactile, but rather that he feels responsible for, and connected to, the mediums that his gallery represents. This translates to the gallery holding a reputation for their extremely high standard. He is also one of the few dealers who brings his artists to his art fair stands because he believes that the artist should be explaining their own craft. This all illustrates that Adrian has what is, in my opinion, a rare yet treasured quality in the art world: he likes to listen.

This week we visited Adrian Sassoon At The London House Of Modernity, a joint art, design and furniture exhibition from London-based art dealer Adrian Sassoon and the Stockholm-based Modernity Gallery.