Fine art

Carolyn Miner has worked in some of the most prestigious institutions in the United States and in Europe, straddling the commercial and the academic so it would be accurate to conclude that she is not just interested in objects, she is obsessed. Her fixation manifests in her current roles as independent art advisor and editor-in-chief of Il Libro Magazine. Carolyn thinks in movements and relationships, always asking how one artwork is inspired by another, thereby creating the ever-important art historical chains of inspiration.

Seeing one of Modernity’s stands at an art fair gives the perfect sense of the furniture gallery’s philosophy. Take, for example, the 2015 London edition of the Pavilion of Art and Design where they had a large stand with two separate seating areas divided by a beautiful dining table. Two of the three walls had small wooden slats placed close together in what looked like a striped effect. It was something completely out of the ordinary and actually made the furniture interact with the walls as opposed to merely existing within them. To Modernity, furniture pieces aren’t merely being treated as everyday objects, but as unique pieces of art.

Books, maps, and globes are all areas that generate emotion for any interested buyer and Daniel Crouch is keenly aware of these connections. He invests an incredible amount of time creating experiences for his clients that will invoke a reaction or recreate a memory. When his gallery exhibited at The European Fine Art Fair, Maastricht in 2019, they brought virtual reality glasses and every person felt the elation of jumping into a map of Amsterdam or Paris. It’s not a gimmick; it makes this world breathe before a viewer’s eyes, creating more excitement and evoking further thought. Daniel relishes the opportunity to bring this to viewers and either open those feelings or start making new ones.

Freya Bramble-Carter has been immersed in the world of ceramics from a young age, communicating her thoughts, feelings and interpretations of the world around her through the tactile medium since she was a child. Under the masterful eye of her father Chris Bramble, whom she cites as one of her biggest inspirations, she has made a name for herself within the industry, garnered the attention of influential press and collaborated with the Tate Collective amongst other industry titans. When she’s not firing pots in the London studio she shares with her father and fellow ceramicist, she is teaching others to do so through her group and one-on-one workshops, Freya’s Clay Club.

Walk into Peter Finer’s showroom at 38-39 Duke Street, or onto one of their stands at an art fair and his son, Redmond Finer, will be your guide, transporting you to a world of courts and ceremony, presentations of royal gifts, and weapons representing honour and prestige. His knowledge is so vast and his explanations are so detailed that you will see the history of the arms and armour unfold before you. He is an exceptional combination of passionate dealer mixed with master storyteller and transmits his enthusiasm with ease and fervour.

It is very difficult to engage in a conversation about contemporary British sculpture without examining Nick Hornby. With commissions all over the world and pieces that stand beside Barbara Hepworth and Auguste Rodin, it would be easy to understand if Nick were engrossed in the pretentious world that can capture a talented young artist.  Instead, he is calm and speaks in a rhythm that is pensive and precise; because the truth is that he is interested in the experience of reflection and learning from his audience.

If you ever have the pleasure of visiting Adrian Sassoon’s stand at an art fair, you will be transported into a celebration of artists and their treatment of materials. Whenever I have seen his displays, I notice that Adrian constantly handles his artist’s pieces. It’s not that he is overly tactile, but rather that he feels responsible for, and connected to, the mediums that his gallery represents. This translates to the gallery holding a reputation for their extremely high standard. He is also one of the few dealers who brings his artists to his art fair stands because he believes that the artist should be explaining their own craft. This all illustrates that Adrian has what is, in my opinion, a rare yet treasured quality in the art world: he likes to listen.

Aiveen Daly is a multidisciplinary artist, upholsterer and designer who works with top interior designers and architects worldwide to provide specialist finishes and embellished surfaces.

Panel discussion on the logistical, business and ethical factors interior designers should be considering beyond just the purchase of an artwork, in this ever-changing world of Pandemics and Brexits.